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Lal Kot & Indraprastha: First Foundations for Travelers

Lal Kot & Indraprastha: two maps, two ASI tickets—Qutb (~₹550) and Purana Qila (~₹300)—not one combo for international travelers.

Lal Kot & Indraprastha: First Foundations for Travelers

Key Data Matrix

Tickets

Domestic

Qutb ~INR 35; Purana Qila ~INR 25 (separate tickets; re-check week of travel)

International

Qutb ~INR 550; Purana Qila ~INR 300 (separate tickets; re-check week of travel)

Hours

Plan separate daylight windows for Mehrauli (Qutb / MAP / Sanjay Van) and Purana Qila. Confirm ASI and park boards week of travel; leave forest trails before dark.

Nearest Metro

Mehrauli: Qutub Minar (Yellow) + auto last mile. Purana Qila: Mathura Road corridor (separate trip).

Dress & photography

Closed shoes for wall and forest stretches; sun protection on exposed stone; modest dress inside the Qutb mosque precinct.

Payments

Buy Qutb and Purana Qila tickets via official ASI channels. Small cash/UPI for autos. MAP and Sanjay Van are typically free—no Qutb ticket needed for those.

Hygiene

Outdoor heritage—carry water; do not rely on forest kiosks.

Safety

Uneven ruin edges, heat, monkeys and stray dogs on forest approaches. Daylight only for Sanjay Van. Supervise children on bastions.

Traps to avoid

No single ticket covers Qutb + Purana Qila. Decline street ‘combo / Indraprastha package’ sellers. Qutb ticket ≠ MAP ≠ Purana Qila.

Last verified: August 2026

Delhi’s “first city” is not one afternoon walk. On the Mehrauli ridge you still meet Tomar–Chauhan fort stone beside the Qutb complex; across town, Purana Qila holds the Indraprastha legend on the Yamuna belt. Pick one zone for this free half-day—ridge or river—then come back for the other. No combo ticket links Qutb and Purana Qila; decline street “Indraprastha package” sellers.

Bastion of Lal Kot fort, Mehrauli, Delhi
Lal Kot bastion, Mehrauli—Tomar-era fort stone rising from the southern ridge. Photo: Varun Shiv Kapur · CC BY 2.0

Executive Summary: Heritage Transit Matrix

SiteAreaPrimary Advisory
Qutb Minar / Lal KotMehrauliYellow Line + ASI ticket for Qutb; MAP / Sanjay Van usually free.
Purana QilaMathura RoadSeparate ASI ticket (~₹300 foreigner); taxi or Metro + auto.
Sanjay VanVasant Kunj / MehrauliFree forest trails; sturdy shoes; exit before dusk.

Getting There & Logistics

Navigating Delhi’s oldest cities requires separate half-day excursions to Mehrauli and Mathura Road, as these sites are geographically distant and lack a continuous transit link. As you step out of the climate-controlled sanctuary of the metro into the chaotic hum of Mehrauli, the immediate challenge is not deciphering ancient scripts, but negotiating the last-mile transit over cracked asphalt and through swirling dust. Planning your journey with geographic precision is the only way to avoid spending your morning trapped in Delhi’s notorious traffic gridlocks.

Transit and Connectivity

The most efficient way to reach the Mehrauli ridge sites is via the Yellow Line Metro to Qutub Minar Station, followed by an e-rickshaw ride. You will feel the transition from modern high-rises to low-slung heritage quarters as your auto-rickshaw rattles past roadside shrines and old stone fragments, the towering minar acting as your constant northern compass. The Metro station serves as the primary transit hub for the entire southwestern archaeological cluster, but it is not situated directly at the monument gates. The final leg of the journey covers approximately 1.5 to 2 kilometers, a distance that can be physically punishing under the midday Delhi sun. Bypassing the persistent, unauthorized drivers who congregate outside the station exit and heading straight for the official, pre-paid e-rickshaw stand will save you both time and unnecessary negotiation.

For those targeting the eastern anchor of the first city at Purana Qila on Mathura Road, the transit strategy must shift entirely. This site is located near the city center, far from the Mehrauli ridge. While the Supreme Court and Khan Market Metro stations are the closest rail links, they still require a substantial walk along busy, high-speed thoroughfares. Therefore, securing a private taxi or utilizing a reputable ride-sharing application like Uber or Ola is the most reliable and secure method for international travelers. If you are hiring a private driver for the day, ensure you clearly articulate your destination. Simply asking for “the old city” can lead to confusion, as drivers may navigate toward the 17th-century Mughal walled city of Shahjahanabad (Old Delhi) rather than the 16th-century Purana Qila or the medieval ruins of Mehrauli. Always use specific landmarks: request “Qutb Minar” for the Tomar-Chauhan sites, and “Purana Qila near Delhi Zoo” for the Yamuna belt.

Furthermore, you must align your travel schedule with Delhi’s daily traffic rhythms. The roads connecting central Delhi to the southern ridge—particularly the Mehrauli-Gurgaon Road and Aurobindo Marg—experience extreme congestion during peak commuter hours, specifically between 08:30 and 10:30 in the morning, and 17:30 to 19:30 in the evening. To maximize your comfort and preserve your energy for exploring the expansive ruins, aim to arrive at your chosen site by 07:30. This early arrival allows you to complete your outdoor walking before the heat of the day becomes oppressive and before the large school groups and tour buses descend upon the ticket plazas.

Ticketing Friction & ASI Protocols

You must purchase separate entry tickets for the Qutb Minar complex and the Purana Qila fort, as there is no combined heritage pass available. Standing in the sun at a physical ticket counter while local digital payment screens fail can quickly drain your morning energy, making pre-arrival digital booking an absolute necessity for a smooth visit. The Archaeological Survey of India (ASI) manages these sites under strict regulatory frameworks, meaning that entry requirements, fee structures, and operational rules are strictly enforced at the gates.

For international passport holders, the entry fee for the Qutb Minar complex is INR 550, while the domestic rate is INR 35. At Purana Qila, the international ticket is priced at INR 300, and the domestic ticket is INR 25. These prices are subject to change, and you should verify the current rates on the official ASI World Heritage Qutb Minar portal prior to your departure. It is critical to note that the vast, adjacent landscapes of the Mehrauli Archaeological Park and the forest trails of Sanjay Van do not require entry fees and are generally free to access throughout the day. Do not let local touts convince you that you need a paid ticket or a licensed guide to enter these open-access municipal areas.

To avoid the long, chaotic queues at the physical ticket windows, you should book your entry permits digitally. Buy tickets on the official ASI website; skip third-party skip-the-line resellers who frequently charge exorbitant markups for services that do not actually bypass the security lines. When booking online, international travelers often encounter payment authentication failures, as the government payment gateways can struggle to process foreign credit cards that require specialized 3D-Secure verification. To bypass this friction, you can use local digital payment wallets if you have an active Indian SIM card, or utilize authorized, major international travel platforms that have direct integrations with the ASI ticketing system.

When entering any ASI-protected monument, be prepared for a rigorous security screening. Large backpacks, laptop bags, tripods, and professional video equipment are strictly prohibited inside the Qutb Minar and Purana Qila enclosures. You are permitted to carry a small personal handbag, a water bottle, and a standard handheld camera or smartphone for personal photography. If you are carrying restricted items, you will be forced to deposit them at the basic cloakrooms located near the security gates, which can add significant delays to your itinerary. Additionally, drone photography is completely illegal across all heritage sites in Delhi without prior, written authorization from the Ministry of Civil Aviation and the ASI.


The Mehrauli Ridge: Lal Kot & Qila Rai Pithora

The Mehrauli ridge preserves the physical remains of Delhi’s earliest fortified capitals, where Tomar and Chauhan rulers engineered massive defensive walls to control the southern plains. Walk along the rugged, sun-baked quartzite blocks of the ridge, where the wild babool trees wrap their roots around 11th-century masonry, and you can feel the sheer strategic isolation of this ancient military outpost. This elevated volcanic terrain provided the perfect natural defense system, allowing early rulers to monitor the surrounding plains and secure their administrative power.

Lal Kot: The 11th-Century Citadel

Lal Kot stands as Delhi’s first defensible fortress, constructed in the mid-11th century by the Tomar king Anangpal II to secure his dynasty’s regional dominance. When you look closely at the rough-hewn, dry-stone masonry of the surviving bastions, you are seeing the literal foundation stones of urban Delhi, built to withstand medieval siege engines. This rugged citadel represents the transition of Delhi from a collection of scattered settlements into a centralized, fortified seat of imperial power.

The historical significance of Lal Kot is deeply tied to the strategic vision of the Tomar Rajput dynasty. King Anangpal II, traditionally credited with laying the foundations of this fort around 1052 CE, recognized that the high, rocky ridges of Mehrauli offered an invaluable military advantage. The fort walls were engineered using local grey quartzite stone, quarried directly from the Aravalli hills. These walls, which reached thicknesses of up to nine meters, were designed to blend seamlessly into the natural rocky topography, making the citadel almost invisible from a distance to approaching enemy forces.

Within this fortified enclosure, the Tomars constructed palaces, administrative halls, and water conservation systems, including the ancient stepwell known as Anang Tal. While the grand palaces have long since crumbled, the archaeological excavations conducted by the ASI, led by noted scholars such as B.R. Mani, have confirmed that a sophisticated Rajput-period settlement flourished here before the arrival of the Delhi Sultanate. These digs unearthed structural remains, early coins, and distinct pottery layers that prove Lal Kot was a bustling center of trade and military administration.

For the modern traveler, finding these ancient Tomar walls requires a willingness to explore beyond the manicured lawns of the primary monuments. Some of the most impressive, un-restored segments of the Lal Kot wall can be found snaking through the dense vegetation near the Mehrauli-Mahipalpur road. As you stand beside these massive, weathered stones, you are observing a structure that predates the Mughal Red Fort by nearly six centuries. It is this raw, untouched quality that makes Lal Kot a deeply rewarding destination for those who wish to experience history without the filter of modern restoration.

Qila Rai Pithora: The Chauhan Expansion

Modern statue of Prithviraj Chauhan III at Qila Rai Pithora, Delhi
Modern statue of Prithviraj Chauhan III at Qila Rai Pithora, Delhi—later civic memory, not a twelfth-century likeness. Photo: आशीष भटनागर · CC BY 3.0
Qila Rai Pithora fort walls, Delhi
Qila Rai Pithora fort walls—ridge defenses in fragments, not a continuous tourist circuit. Photo: Aman Pandey1602 · CC BY-SA 4.0

Qila Rai Pithora represents the late 12th-century expansion of Lal Kot, traditionally attributed to the legendary Rajput ruler Prithviraj Chauhan to accommodate a growing capital. As you track the scattered, crumbling ramparts that cut through modern residential neighborhoods like Saket and Vasant Kunj, you witness the strange juxtaposition of medieval defensive walls bordering upscale Delhi apartments. This massive fortification ring represents the final, grand phase of Hindu Rajput rule in Delhi before the historic transition to the Delhi Sultanate.

The narrative of Qila Rai Pithora is heavily dominated by the figure of Prithviraj Chauhan (Prithviraj III), the heroic ruler celebrated in epic poetry for his fierce resistance against the invading Ghurid forces. According to historical tradition, Prithviraj expanded the existing walls of Lal Kot, creating a massive, fortified city with a circumference of over six kilometers. This expanded fort was designed to protect a rapidly growing population of merchants, artisans, and soldiers who had gathered around the royal court.

However, modern historical scholarship introduces important nuances to this popular legend. Researchers note that the specific name “Qila Rai Pithora” does not appear in contemporary 12th-century records. Instead, it gained widespread popularity centuries later in Mughal-era texts, most notably the Ain-i-Akbari compiled by Abu’l-Fazl. This suggests that the naming of the fort was a later historical construction, designed to map a prestigious lineage onto the physical ruins of the city. Furthermore, archaeological evidence indicates that while the Chauhan rulers certainly reinforced and expanded the Mehrauli fortifications, their primary administrative and military center of gravity often remained centered in Ajmer.

Today, exploring Qila Rai Pithora is an exercise in urban exploration. The fort walls do not exist as a continuous, protected park. Instead, they survive as isolated fragments scattered across the modern urban landscape of South Delhi. To get a sense of the scale of this medieval city, you should visit the Qila Rai Pithora Conservation Park located near Lado Sarai. Here, the Delhi Tourism department has preserved a substantial stretch of the ramparts and installed a monumental, modern bronze statue of Prithviraj Chauhan. While the statue is a contemporary civic creation rather than a medieval relic, walking along the adjacent ramparts allows you to appreciate the sheer thickness and defensive engineering of the Chauhan defenses, which featured projecting bastions and heavily fortified gateways designed to repel cavalry charges.

Qutb Minar and the Quwwat-ul-Islam Mosque

Iron Pillar in the Qutb complex, Mehrauli—landmark linked in tradition to Tomar-era Anangpal memory
No contemporary portrait of Anangpal Tomar survives. The Iron Pillar at Mehrauli—later set in the Qutb courtyard—is the landmark most often tied to Tomar-era memory on this ridge. Photo: Mark A. Wilson · Public domain

The Qutb Minar complex is an imposing early Sultanate victory landscape built directly over the captured temples and palaces of the Tomar-Chauhan citadel. Stand in the shadow of the soaring, red-sandstone minar and look at the mosque’s cloister pillars; you will see Hindu and Jain temple carvings deliberately stacked and repurposed to form Islamic arcades. This site represents the physical manifestation of a dramatic geopolitical shift, where the old Rajput order was decisively dismantled to make way for the first Islamic empire in northern India.

To understand the architecture of the Quwwat-ul-Islam mosque, one must reject sanitized narratives of harmonious cultural synthesis. The historical reality, proudly carved into the stone inscriptions of the eastern gateway by the conqueror Qutb-ud-din Aibak, is one of dominance and religious appropriation. The inscriptions explicitly state that the mosque’s cloisters were constructed using materials salvaged from 27 demolished Hindu and Jain temples that once stood within the Lal Kot citadel. As you walk through the colonnades, look closely at the pillars: you will see carved figures of deities, sacred kirtimukha faces, and floral garlands that have been defaced, inverted, or plastered over to conform to Islamic iconoclastic principles.

In the center of this courtyard stands the famous Iron Pillar, a marvel of ancient Indian metallurgy dating back to the 4th century CE during the Gupta Empire. Dedicated to the Hindu deity Vishnu, this rust-resistant iron shaft was likely brought to the Mehrauli ridge by the Tomar kings as a trophy of prestige. The Sultanate conquerors chose not to destroy this pillar; instead, they left it standing in the center of their new mosque courtyard, transforming a symbol of ancient Hindu sovereignty into a subordinate element within their own grand architectural statement.

Towering over the entire complex is the Qutb Minar itself, a 73-meter victory tower begun by Qutb-ud-din Aibak in 1199 and completed by his successor, Shams-ud-din Iltutmish. The tower’s design is a masterclass in military and religious propaganda, featuring alternating angular and circular flutings carved from red sandstone and adorned with intricate bands of Arabic calligraphy. This was not merely a minaret for calling the faithful to prayer; it was a literal “axis of Islam,” a towering beacon visible for miles across the flat plains of Delhi, signaling to all that a new, absolute authority had claimed the land.

Mehrauli Archaeological Park

The Mehrauli Archaeological Park offers a sprawling, free-to-access sanctuary of over eighty monuments spanning from the Tomar era to the late British colonial period. As you wander down the quiet, unpaved dirt tracks away from the crowded Qutb gates, the sudden silence is broken only by the call of peacocks roosting in the ruins of medieval tombs. This 200-acre park, managed jointly by the Delhi Development Authority and the ASI, provides a unique opportunity to experience Delhi’s history in a raw, un-manicured state.

Unlike the highly regulated and crowded Qutb complex, the Mehrauli Archaeological Park allows you to interact with history at your own pace. The park’s landscape is a complex geological and historical palimpsest, where the ancient quartzite ridge formations are interspersed with monuments from the Delhi Sultanate, the Mughal Empire, and the British Raj. The ancient defensive walls of Lal Kot run directly through the park, often serving as structural foundations for later medieval buildings.

Among the key architectural highlights within the park is the Rajon ki Baoli, a spectacular three-story stepwell constructed during the Lodi dynasty in the early 16th century. Descending the stone steps into the cool, subterranean depths of this well offers a profound sense of relief from the surface heat and reveals the sophisticated water-harvesting engineering of medieval Delhi. Nearby stands the Tomb of Jamali Kamali, a mosque and tomb complex dedicated to the Sufi saint and poet Shaikh Fazlu’llah. The interior of Jamali’s tomb features some of the finest surviving examples of incised, colored plasterwork in India, with the ceiling adorned with vibrant blue and red patterns and calligraphic inscriptions of his own poetry.

Navigating this park requires a degree of self-reliance, as there are very few signs, maps, or paved pathways. The trails are dusty, uneven, and can become muddy during the monsoon season. It is highly recommended to carry a digital map on your smartphone and to wear sturdy walking shoes. While the park is generally safe during the morning hours when local walkers and heritage enthusiasts are present, you should avoid exploring the isolated, heavily forested southern sections of the park alone, as these areas are unmonitored and lack any form of security or artificial lighting.

Sanjay Van: The Hidden Fortifications

Sanjay Van is a dense, 780-acre city forest that conceals the most rugged and un-restored wall segments of the 11th-century Lal Kot fort. Pushing aside the thorny branches of invasive prosopis juliflora trees, you suddenly scramble up a steep dirt bank to find yourself standing atop a massive, forgotten stone bastion overlooking the forest canopy. This wild, untamed environment offers the most authentic adventure for travelers who want to escape the sanitized tourist trail and experience the ruins as early explorers did.

Sanjay Van is part of the southern ridge of Delhi, acting as a vital green lung for the city. Within this dense forest canopy lie some of the most substantial surviving stretches of the Lal Kot fortifications. These walls, which once defended the Tomar capital, have been largely reclaimed by nature. The grey quartzite blocks are covered in moss and wild vines, and the ancient bastions serve as high vantage points that offer panoramic views of the forest and the distant Qutb Minar.

Exploring these forest ruins carries significant physical demands and safety considerations. The trails are not cleared or signposted; they are rugged, rocky dirt paths that wind through dense, thorny scrub. Sturdy, closed-toe walking shoes are absolutely mandatory to protect your feet from the sharp thorns of the babool trees and the loose, shifting stones along the ridge. You must also carry an ample supply of drinking water, as there are no facilities or vendors within the forest reserve.

Furthermore, you must exercise caution regarding the local wildlife. Sanjay Van is home to large, highly active troops of rhesus macaques and stray dogs, which can become aggressive if they believe you are carrying food. Keep all food items sealed inside your backpack and avoid making direct eye contact with the monkeys. Most importantly, you must adhere to the strict daylight rule: there is absolutely no artificial lighting within the forest, and the gates are locked at sunset. You must plan your exploration to ensure you exit the forest well before dusk, as navigating the unlit, rugged trails in the dark is highly dangerous and poses significant security risks.


The Yamuna Belt: Purana Qila

The Purana Qila complex on Mathura Road represents the eastern anchor of Delhi’s oldest urban history, traditionally identified as the site of epic Indraprastha. Gazing up at the colossal, double-storied stone gateways of the fort as they cast long shadows over the dry, ancient bed of the Yamuna River, you feel the sheer scale of 16th-century imperial ambition. This high, strategic mound overlooking the river plains has been occupied by successive empires for millennia, making it one of the most historically dense sites in the entire subcontinent.

Raja Ravi Varma painting of Draupadi and the Pandavas, with Yudhishthira at the centre
Yudhishthira (centre) with Draupadi and the Pandavas—Raja Ravi Varma’s artistic tradition, not an excavated royal portrait. Painting: Raja Ravi Varma · Public domain

Purana Qila is deeply intertwined with the legendary Pandava capital of Indraprastha, though archaeological evidence reveals a multi-period settlement rather than an intact epic city. Walk past the active archaeological trenches where dust-covered layers of soil are meticulously scraped away to reveal ancient pottery shards, and you are witnessing the ongoing scientific search for Delhi’s mythological origins. This tension between epic folklore and empirical science is what makes Purana Qila a fascinating intellectual destination.

According to the ancient Indian epic, the Mahābhārata, the five Pandava brothers founded the magnificent city of Indraprastha on the banks of the Yamuna River. The city, ruled by the righteous King Yudhishthira, was celebrated for its grand palaces, deep moats, and architectural wonders. For generations, local oral traditions and historical memory have firmly identified the high mound of Purana Qila as the physical location of this legendary capital. Until the early 20th century, a village named “Indrapat” existed inside the fort walls, further cementing this cultural connection.

To investigate these epic claims, the Archaeological Survey of India has conducted multiple systematic excavations within the fort, most notably under the direction of legendary archaeologist B.B. Lal in the 1950s and 1970s, and more recently in the 2010s and 2020s. These excavations have yielded extraordinary results, revealing a continuous, unbroken sequence of human occupation stretching back over 2,500 years. The digs have unearthed artifacts from the Mauryan, Sunga, Kushan, Gupta, Rajput, Sultanate, and Mughal eras. Crucially, at the lowest levels of the mound, archaeologists discovered shards of Painted Grey Ware (PGW), a distinct type of fine, grey pottery that is stylistically and chronologically linked to the late Bronze Age and early Iron Age cultures associated with the Mahābhārata period.

However, historical honesty requires that travelers distinguish between cultural memory and archaeological proof. While the presence of Painted Grey Ware confirms that a significant settlement existed on this riverfront mound during the epic era, the excavations have not uncovered any evidence of a grand, palace-filled imperial capital. There are no massive stone palaces, golden gates, or monumental structures dating to the Pandava era. Instead, the standing stone fort that you see today belongs entirely to the 16th century. Therefore, you should approach Purana Qila not as a literal, excavated mythological theme park, but as a profound “memory geography”—a site where the layers of physical history and epic legend exist side by side, offering a window into how nations construct their historical narratives.

The Architectural Fabric of the Fort

The standing architectural fabric of Purana Qila belongs entirely to the 16th-century Islamic reigns of Humayun’s Dinpanah and Sher Shah Suri. Run your hand along the smooth, red sandstone and white marble inlay of the Qila-i-Kuhna Mosque, and you will notice how the elegant transition-era architecture bridges the gap between Lodi simplicity and Mughal grandeur. The massive walls and towering gateways of this fort represent the absolute pinnacle of medieval military engineering in northern India.

The construction of the modern fort began in 1533 under the second Mughal Emperor, Humayun, who envisioned the site as the centerpiece of his grand new imperial capital, Dinpanah (Asylum of Faith). However, Humayun’s reign was violently interrupted by the Afghan military genius Sher Shah Suri, who defeated the Mughals and seized the throne of Delhi. Sher Shah dismantled much of Humayun’s early work and constructed his own fortified citadel, which he named Shergarh. Following Sher Shah’s untimely death in a gunpowder explosion, Humayun returned from exile in Persia, recaptured Delhi, and completed the fort’s construction, resulting in a unique architectural hybrid that reflects the fierce rivalry of these two imperial builders.

The defensive walls of Purana Qila are an imposing sight, rising to heights of up to twenty meters and stretching for nearly two kilometers. Built from rugged rubble masonry faced with massive blocks of local quartzite, these walls were designed to withstand the newly introduced gunpowder artillery of the 16th century. The fort is entered through three magnificent, double-storied gateways: the Bara Darwaza (Great Gate) on the west, the Humayun Gate on the south, and the Talaqi Gate (Forbidden Gate) on the north. These gates are adorned with elegant decorative elements, including white marble inlays, blue-glazed ceramic tiles, and ornamental sandstone balconies (jharokhas) that showcase a sophisticated blending of Islamic geometry and traditional Hindu decorative motifs.

Inside the fort walls, two major structures have survived the ravages of time. The Qila-i-Kuhna Mosque, built by Sher Shah Suri in 1541, is a masterpiece of the Indo-Islamic transition style. Its five-bay facade features beautifully proportioned pointed arches, intricate geometric stone carvings, and calligraphic bands of Quranic script. Nearby stands the Sher Mandal, a double-storied, octagonal pavilion constructed from red sandstone and white marble. This structure, which served as Humayun’s personal library and observatory, is the tragic site where the emperor met his death in 1556, when he tripped on his robes and fell down the steep stone steps while carrying a load of books. Walking through these silent stone structures, you can feel the fragile, fleeting nature of imperial power in medieval Delhi.


Sources & verification

Frequently Asked Questions

Can I visit Lal Kot and Indraprastha as one continuous walk?

No. The Tomar–Chauhan fortifications sit on the Mehrauli ridge, with the Qutb complex on that landscape. Indraprastha is epic memory geography, usually oriented at Purana Qila on the Yamuna belt—a separate ticket and transit plan.

Is Purana Qila the excavated city of Indraprastha?

In tradition, Indraprastha is the Pandava capital associated with Yudhishthira. Digs at Purana Qila show long habitation and Painted Grey Ware finds that keep debate alive, but they do not prove an intact epic capital equal to the standing Dinpanah / Sher Shah fort.

How do I reach the Mehrauli walls and Qutb from the Metro?

Use Qutub Minar station on the Yellow Line, then an auto or e-rickshaw for the last mile to the ASI Qutb entrance and nearby Mehrauli Archaeological Park trailheads. The Metro name is not the monument gate.

Do I need one ticket for Qutb, Mehrauli Archaeological Park, and Sanjay Van?

No. Qutb Minar and its Monuments needs an ASI ticket (about INR 550 for most international visitors / INR 35 domestic on our Qutb guide—re-check the official ASI page week of travel). Mehrauli Archaeological Park grounds and Sanjay Van wall walks are typically free. Purana Qila, for Indraprastha orientation, needs its own separate ASI ticket in a different part of town.